I try not to talk too much about advertising and things of that nature, but heres one I think Artists and creatives can enjoy AND profit from.
Skinit offers peel and stick "skins" for all sorts of digital toys. Phones, controllers, laptops and a multitude of other things. Designable by the end user, and reasonably priced.
What if your laptop had a sample of your design work, with your .com and digital resume announced? The possibilities for this is endless. I really like the idea, and its market value to customers has some real world potential. I am considering the phone skins.
My laptop is one of those "rubberized" covers and won't be able to take a skin. It has my mind buzzing of quality places to put it to use though.
http://www.skinit.com/ I'm just saying... its worth the look if you are any kind of digital artist / graphic designer.
Wednesday, April 13, 2011
Want to live forever?
![]() |
| Through Time |
Instead of heading up to the studio in the rain, and chill, I opted for a little digital experimentation. Why not free up the brain a little, have no intended result, compile images, technique, and layer on layer to see where it leads. I ended up with something that reminded me of all the adventures, and things I have experienced to get "here" today. Things are still moving up and on, but in 40 years I have really done A LOT of stuff to be who I am now with what I know.
living forever now I think is easier than I previously thought. There is art, we can always immortalize ourselves in imagery I suppose. The best and most common way I our children.
This image isn't as deep as it would seem. According to my last post (I think it speaks for itself).
What do you think ???? let me know
Tuesday, April 12, 2011
I think the work speaks for itself
Lately I have been staying up late glued to my Netflix account watching the Art :21 Art in the twenty first century PBS television series. If you are even mildly interested in creativity, fine art, or just the inner machinations of the hiccupping brains of artists, this is worth the watch.
I honestly had no idea this series existed and was heading over to watch Art & Copy when I stumbled across this gem. Some of it, gets a bit dry and sleepy in places and some of it is just plain inspiring and enlightening. I think the dry and sleepy parts for me are either A) late night hours or B) An artist that just doesn't grab my fancy, although all in this series have my respect.
While watching this series I have come to the realization that there are 2 typical responses that come about when an artist is asked about their work, a series, or a piece of their art.
The first response is the expected one. It's an "educated" ramble about the deep meaning and struggle of the artist around every single piece they have ever created. Some do this to the point where you find yourself looking away, up and around thinking, "This HAS to be a sales pitch at this point." The talk runs on for so long, and is loaded with what seems like practiced vocabulary that everything suddenly seems a little bit contrived and you may be falling into a trap.
The second response is when the artist might say some sort of terribly brief thing only a sentence or so long, and ends with, "I think the work speaks for itself."
Louise Bourgeois was one of the latter. She spoke very strongly about the passion for her work, but put it simply by saying something to the effect of, "If my work says nothing, then I failed."
That quote may be a bit off, my memory is failing a bit at the moment. The point she was making was, that if her work conveyed no message, no meaning, no feeling to the viewer... then she failed.
I hope to pool myself into this latter category of artists who, when asked about their work, let the art be what it is. I personally feel that if I make a piece, and need to stand next to it and speak for 10 minutes to explain it, it has failed. (Or it has now become performance art)
Some artists create wonderful works, and in my humble opinion need to stand aside, and let the viewer experience the art, without the artist prattling on with a practiced speech gleaned to perfection from an art opening or a masters degree in the art history.
Sometimes people like art because it is nice to look at. Or uncomfortable.
Sometimes people like art for no reason at all.
Just let it "be"
That long speech with all the big words to describe your inner struggle or the "deeper meaning" of the piece can be explained bit by bit to those who ask specifically about these minute details.
Some buyers DO want to hear that stuff, and they will harass you until you spill those big words.
I think generally when presented with an opportunity to speak about the work an artist should give a general detail:
This piece is called __________ It is oil on wood panel (or whatever medium) __feet by __ feet. Making it represents an important piece in this showing of work, I hope everyone is enjoying the show.
If there is more to be asked, such as from the media, there will be follow up questions.
Very few artists who do speak seems to know when to turn off the stream of verbiage when it comes to their work. Sometimes more IS wanted, but it becomes mis-read by the artist I think and assumed EVERYTHING you can think of is wanted!
There seems to be no happy medium. The artist will either tell you it speaks for itself, or they will spend the next 10 minutes describing a tsunami of emotional adjectives, psychological terms, and art critic jargon that brushes upon used car salesman at some point.
It's a rare artist that finds this mid ground and a place I will strive for in the future, with the intent of the brief, "I think the work speaks for itself"
Recently I was asked about my work. It was a friendly sort of conversation, and I found myself asking, "Do you want a real answer, or an art gallery answer?"
Perhaps more appropriate goal would be to find the polite way for the artist to ask that question. Just like sometimes viewers like art because it's nice; Sometimes artists just paint birds because their nice.
Sometimes we make a painting of a flower, because we just wanted to paint a flower.
Sometimes the art has to just "be" and the answer just hast to be "because"
-Lloyd M
I honestly had no idea this series existed and was heading over to watch Art & Copy when I stumbled across this gem. Some of it, gets a bit dry and sleepy in places and some of it is just plain inspiring and enlightening. I think the dry and sleepy parts for me are either A) late night hours or B) An artist that just doesn't grab my fancy, although all in this series have my respect.
While watching this series I have come to the realization that there are 2 typical responses that come about when an artist is asked about their work, a series, or a piece of their art.
The first response is the expected one. It's an "educated" ramble about the deep meaning and struggle of the artist around every single piece they have ever created. Some do this to the point where you find yourself looking away, up and around thinking, "This HAS to be a sales pitch at this point." The talk runs on for so long, and is loaded with what seems like practiced vocabulary that everything suddenly seems a little bit contrived and you may be falling into a trap.
The second response is when the artist might say some sort of terribly brief thing only a sentence or so long, and ends with, "I think the work speaks for itself."
Louise Bourgeois was one of the latter. She spoke very strongly about the passion for her work, but put it simply by saying something to the effect of, "If my work says nothing, then I failed."
That quote may be a bit off, my memory is failing a bit at the moment. The point she was making was, that if her work conveyed no message, no meaning, no feeling to the viewer... then she failed.
I hope to pool myself into this latter category of artists who, when asked about their work, let the art be what it is. I personally feel that if I make a piece, and need to stand next to it and speak for 10 minutes to explain it, it has failed. (Or it has now become performance art)
Some artists create wonderful works, and in my humble opinion need to stand aside, and let the viewer experience the art, without the artist prattling on with a practiced speech gleaned to perfection from an art opening or a masters degree in the art history.
Sometimes people like art because it is nice to look at. Or uncomfortable.
Sometimes people like art for no reason at all.
Just let it "be"
That long speech with all the big words to describe your inner struggle or the "deeper meaning" of the piece can be explained bit by bit to those who ask specifically about these minute details.
Some buyers DO want to hear that stuff, and they will harass you until you spill those big words.
I think generally when presented with an opportunity to speak about the work an artist should give a general detail:
This piece is called __________ It is oil on wood panel (or whatever medium) __feet by __ feet. Making it represents an important piece in this showing of work, I hope everyone is enjoying the show.
If there is more to be asked, such as from the media, there will be follow up questions.
Very few artists who do speak seems to know when to turn off the stream of verbiage when it comes to their work. Sometimes more IS wanted, but it becomes mis-read by the artist I think and assumed EVERYTHING you can think of is wanted!
There seems to be no happy medium. The artist will either tell you it speaks for itself, or they will spend the next 10 minutes describing a tsunami of emotional adjectives, psychological terms, and art critic jargon that brushes upon used car salesman at some point.
It's a rare artist that finds this mid ground and a place I will strive for in the future, with the intent of the brief, "I think the work speaks for itself"
Recently I was asked about my work. It was a friendly sort of conversation, and I found myself asking, "Do you want a real answer, or an art gallery answer?"
Perhaps more appropriate goal would be to find the polite way for the artist to ask that question. Just like sometimes viewers like art because it's nice; Sometimes artists just paint birds because their nice.
Sometimes we make a painting of a flower, because we just wanted to paint a flower.
Sometimes the art has to just "be" and the answer just hast to be "because"
-Lloyd M
Monday, April 11, 2011
Studio - Back in Action
Maine finally decided to release its wintery grip and things came to life at every turn. The fuel of creativity woke up with the spring and I just could not wait to hit the studio and get some work done.
Last night I found myself milling about, clearing some space and trying to figure out what all the stacks of sketches, torn paper and tools were doing in their various piles. Once these were sorted through an older idea came to mind, and that was to do a series of smaller pieces.
I cut 10 boards and Gesso'ed a layer in place. A couple more layers to go and work can begin on these.
I really am anxious to get started and have had to remind myself to be patient, enjoy the process, and take things one step at a time. I have been keeping my nose in a small sketch book I picked up a month back. I have a long string of possibilities in place for these smaller pieces.
There is still some cleaning and much organizing to do around the studio, but it's in quarter swing anyway, full swing soon to follow. I have had a wave of inspiration lately of new techniques and loosening up of the styles to make new work that will blow your head!
Last night I found myself milling about, clearing some space and trying to figure out what all the stacks of sketches, torn paper and tools were doing in their various piles. Once these were sorted through an older idea came to mind, and that was to do a series of smaller pieces.
I cut 10 boards and Gesso'ed a layer in place. A couple more layers to go and work can begin on these.
I really am anxious to get started and have had to remind myself to be patient, enjoy the process, and take things one step at a time. I have been keeping my nose in a small sketch book I picked up a month back. I have a long string of possibilities in place for these smaller pieces.
There is still some cleaning and much organizing to do around the studio, but it's in quarter swing anyway, full swing soon to follow. I have had a wave of inspiration lately of new techniques and loosening up of the styles to make new work that will blow your head!
Sunday, April 10, 2011
Sketchbooks are your lifes blood!
Early this morning I ran out my door, hopped on my motorcycle and sped off to work. Once i got there, it was about 70, and the guy i support just didn't feel like doing much.
I found myself sitting on a porch, a head full of painting ideas with my coffee and nothing I could do about it.
At my work, its all about reusing as much as we can. A bunch of scrap paper quartered and stapled is my new sketchbook.
I had always heard artists humming the mantra draw everyday, keep a sketchbook handy but never thought much of it until I got a bit older. Practice does make perfect, or at least better, and a sketchbook doesn't need to be an investment made at a snobby art store.
Just a vehicle to record thoughts, ideas and doodles will fill the gap when inspiration runs low. This is how artists make it appear that they are a never-ending fountain of creativity. They work hard at their craft, refine it, and plan ahead.
With some sort of sketch pad, you can go back and refine your rough ideas you had when you were inspired. You will be grateful for this running art "savings account" when you find yourself under a deadline and without ideas.
So... No matter how fancy or humble, jot down, doodle and sketch those ideas!
Friday, April 8, 2011
Photoshop quick tip
In the Web 2.0 world one of the new things I have noticed is the desire to put a little page curl on images to make them look like stickers or book pages. People are doing it on Facebook, Blogger, Orkit.. all over. Why not join the crowd? It will be as popular as rounded edges before you know it.
This Blog even is currently using this little visual tid bit.
Over the past week I was asked a few times how to do this and make it look believable. So many times a page curl is put on an image and it just looks very plastic. Many folks are just putting a grey gradient on the back and frankly it looks a little cheap and a bit lazy.
The good news is, you can be lazy and have a good clean page curl effect on your digital images. I popped together a quick video to explain how to make it happen. I know everyone out there isn't a photoshop user but many of you are and some are just breaking into some how-to sort of things.
Hope this helps!
This Blog even is currently using this little visual tid bit.
Over the past week I was asked a few times how to do this and make it look believable. So many times a page curl is put on an image and it just looks very plastic. Many folks are just putting a grey gradient on the back and frankly it looks a little cheap and a bit lazy.
The good news is, you can be lazy and have a good clean page curl effect on your digital images. I popped together a quick video to explain how to make it happen. I know everyone out there isn't a photoshop user but many of you are and some are just breaking into some how-to sort of things.
Hope this helps!
Studio Vision
During the winter months, the studio took a break. Wood for heating the house was running low, and I made the decision, not to heat the studio for the rest of the winter.
Well, now the studio has become a stumbling ground as tools have been dropped, The enduro is just living among the paintings... this is just not going to work.
Tomorrow it looks like we might see 60's.
I would so willingly take volunteers to help me make that place look like a studio again, but alas, I have none.
My stuff, my job I guess.
Over the next couple of weeks the studio will be back on track. I am considering hitting the Last Friday Biddeford Art walk with a renewed vigor... and some low prices to get supplies back in hand.
Well, now the studio has become a stumbling ground as tools have been dropped, The enduro is just living among the paintings... this is just not going to work.
Tomorrow it looks like we might see 60's.
I would so willingly take volunteers to help me make that place look like a studio again, but alas, I have none.
My stuff, my job I guess.
Over the next couple of weeks the studio will be back on track. I am considering hitting the Last Friday Biddeford Art walk with a renewed vigor... and some low prices to get supplies back in hand.
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